We are pleased to welcome Victoria Jara for a visit to our Department.

Socio-Environmental Crisis in Women’s Novels and Films in The Americas: The Poetics of Destruction, Care, and Insurgency

About the Presentation:
The effects of the climate crisis have reached a point of undeniability. Action is required urgently at a global level. Women’s activism against environmental dispossession in the Americas is expressed not only through the streets, classrooms, and social media, but also through their artistic filmmaking and writing. My focus on women’s literature and film was not only motivated by the need to study their overlooked contributions, but by the need to unravel how they illuminate the entanglements of environmental dispossession with injustices on matters of gender, ethnicity, age, class, and labour.
The aim of this presentation is to demonstrate that an increasing number of contemporary women filmmakers and novelists in the Americas offer a sustained engagement with environmental matters, analyze the similarities and differences of how these ecological issues are represented, and identify a set of principles to establish a common ground between the texts.
Through an interdisciplinary focus on Environmental Humanities, Gender Studies, Literature and Film Studies, I compare novels and films from Canada and Latin America. Through textual analysis three poetics were identified: environmental destruction, care, and insurgency. The term poetics signifies a set of thematic and stylistic principles that are derived from repeated patterns and functions across the novels and films (Bordwell, 2008; Walker, 2014). In the poetics of environmental destruction, the artists challenge socio-environmental devastation by questioning the model of maldesarrollo [bad development]. The texts that focus on care seek to push our understanding of caring beyond the human realm into the non-human by underscoring the need for reciprocity and interdependency among beings. With regards to the poetics of environmental insurgency, novelists and filmmakers represent the struggles to overthrow the hegemonic extractivist models and imagine equitable socio-environmental alternatives.
The analyzed films and novels are a starting point for readers and audiences to become aware of how deeply environmental justice issues are interwoven into society.

About the Presenter:
Victoria Jara is an Assistant Professor at the University of Western Ontario, Canada. She currently teaches cross-listed courses between the departments of Languages and Cultures, English and Writing Studies, and Film Studies. Her research focuses on the representations of environmental injustices by Latin American and Canadian contemporary women novelists and filmmakers, particularly how these artists represent girls, Indigenous women, and environmental migrants. She is currently working on her first manuscript Socio-Environmental Crisis in Women’s Novels and Films in The Americas: The Poetics of Destruction, Care, and Insurgency (Routledge, forthcoming). She has published chapters in Ibero-American Ecocriticism: Cultural and Social Explorations edited by J. Gómez, The Routledge Handbook of Postcolonial and Ecofeminist Literature and The Routledge Handbook of Transgender Science Fiction both edited by Douglas Vakoch, Cinematic Ecosystems: Screen Encounters with More-Than-Human Worlds edited by Mary Hegedus and Jessica Mulvogue, and articles in the peer-reviewed journals Imagofagia and Interconnections: Journal of Posthumanism.